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IMHO they grabbed that icon from a black and white linux icon theme. Most all the new dock icons look nice except the trash can, its just completely out of place. IMHO it looks better with the new OSX theme. Safari is a little buggy, I personally will be fully moving to Firefox next weekend. IMHO these should be replaced with the older ones and it would help the looks A LOT. And what is with the icons in buttons now? Havent had that in a long time. I expected more translucency like the main application bar. Most all the other application with the exception of Safari and iTunes look very nice. Notes application looks like crap, I somehow get the feeling someones display at Apple wasnt color and gamma corrected.

Well after my first full day of using the new OS, here is my thoughts on it.

In the interior shots, you can see where a lot of the floor is quite blue (from shooting at a tungsten white balance) but the blue has been seriously desaturated.ДЄnyway, you mentioned the possibility of an HDR camera, and I am just curious if you know of a good HDR camera? I am just a little bit familiar with RED cameras but not that much.Click to expand.Indeed, got 1.1TB free on my 3TB MyBook I use for backup. The interiors are **** at close to a tungsten color temperature and the the exteriors are shot at a sunlight temperature. Well, maybe I shouldn't say there is NO lighting, but if there is lighting, then I think it is only ancillary / helping a little bit, as the main reason the interiors are so bright are due to exposure settings (of one kind or another).ДЄnother thing is that I am pretty sure it is two different color temperatures / white balances for the exposure. If it were two passes there would likely be visible differences with the exterior due to things moving in the wind. I think it has been shot on a very good HDR camera, exposed for highlights and corrected in the grade. Peter Cave wrote:I'm fairly sure this is NOT two separate camera exposures. But maybe I just don't know enough about them really to appreciate them.

I will try that as well, but I think that in the video I linked to, the interior is SO overexposed (like plus three stops) and the exterior is so underexposed (like -3 stops) that it would be really difficult to do with highlights and power windows. You can also create a вЂњmaskвЂќ (theyвЂ™re called вЂњqualifiersвЂќ in Resolve) using the HSL qualifiers, but this usually gives you mixed results for things like this, due to the edge fringing that usually occurs when blurring/denoising the key. That will always result in a cleaner result, though it tends to work better when you donвЂ™t have to make drastic moves in order bring the dynamic range into a more pleasing place. You can actually a lot of times get away with pulling down the highlights using a simple power window over the whole area, without вЂњkeyingвЂќ anything.

If anyone knows how to fix that, please let me know.) I uploaded a screenshot to dropbox to illustrate this but unfortunately the Resolve forum isn't showing the image, even though I 'shared' it in dropbox. While it is entirely possible they are using a RED camera, my suspicion is that they are using a 'regular' camera on a mechanized slider and then capturing the same scent at two different exposures. Is there not a way in resolve to create a mask based on luminance? I don't think that those would have been masked out by drawing around them, would they? For example, in many of the scenes, there are complicated shapes like leaves from indoor plants or window blinds / shades that are moving. However, I think that it is more than just a simple masking. I will have to familiarize myself with how RED does HDR. The footage is moving slow and predictably enough that any вЂњmaskingвЂќ of these areas using tracked windows would be super simple. If the footage was shot on an HDR capable camera like the RED (using the вЂњXвЂќ frame track in the R3D), this is a very simple task. Mel Matsuoka wrote:It just looks like typical soft-edged power windows that are holding out the parts of the image with the brighter exposure.

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